A New Look
Heck, I even figured out how to tweak HTML so that I could get it up there. Who knows, I may just enter the 21st century yet.
Kicking and screaming, of course.
"Hey Dustin! It's Friday. You're going to eat pizza tonight, right?"Well, normally, I would. But tonight I'm meeting some friends for dinner at an okonomiyaki/monjayaki place.
"Well, just order a pizza there, then!"I can't order a p...wait a sec. There is pizza monja there...hmmm.
"So are you eating pizza tonight or what?"I was so proud. They get it.
VoilĂ ! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate. This visage, no mere veneer of vanity, is it vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a by-gone vexation, stands vivified, and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta, held as a votive, not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. Verily, this vichyssoise of verbiage veers most verbose so let me simply add that it's my very good honor to meet you and you may call me V.
I swung the car off the main road and around so that I could head back the other way.
"You guys mean something like that?"
"Hell yeah!" came the duet.
Marumatsu Shokudo, our dining location of choice for the evening. I parked my car on the sidewalk next to the store as it was the closest thing to a parking lot as far as I could tell, and then we headed inside.
Wow. Greasy spoon central. Our faces lit up. Yes. This is it. Just what we've been looking for.
A woman was standing behind the counter and smiled at us as we came in. After we looked at the menu for a minute (it was taped up on the wall), I said, "Three butadon, please."
"Comin' right up!"
After a few minutes of nice smells and sounds coming from the grill, she brought out our butadon.
DAYAMN. That's a fine looking bowl of pork-on-rice. That sauce...mmm, that sauce. It was an amazing meal.
Never, ever, EVER, get between me and my food.
The really great thing was that she also brought out three bowls of miso soup and set them in front of us, saying, "Saabisu desu. Dohzo. (It's on the house. Enjoy.)" She was just a really awesome lady. As we paid and were getting ready to leave, she asked us to sign a guest book and let her take a Polaroid of us to paste in it. It's a store tradition, apparently. She was so nice and friendly to us...I'm definitely going there again next time I'm in Obihiro. I can't emphasize this enough. That food was GOOD.
How good was it? After we went in search of a hot spring in which to get cleaned up in, we were still talking about how good it was an hour after we'd eaten it. That's when you know you've eaten some good food; you're still talking about it long after you've finished.
Then it was out to Shihoro to sleep at the community center where Maureen was rehearsing "Guys and Dolls". I was fading fast. We dropped Scott off at a restaurant where a bunch of the "players" were having dinner and then made tracks for Shihoro. Judy and I unloaded our sleeping bags, went inside and found the room where everyone was sleeping, found a couple of empty straw mat areas, and went to bed.
Sunday morning. The "Hokkaido Players" were off to rehearse, and Scott, Judy, and I hit the road again. Judy kindly agreed to go along with whatever we wanted to do, and Scott and I wanted to take more pictures. So that's what we did. Basically a lot of driving up and down the line, finding out-of-the-way stations and getting some shots of trains as they went past.
This is Aikappu (translation: Love Crown) Station. The station building is designed to look a little like a crown, and apparently it is a popular place with couples, even to the point of people having weddings there.
Whatever works.
A little bit more driving around, taking photos and seeing the sights, even picking up a few railway souvenirs. After that, it was back out to Shihoro to pick up Scott's wife Maureen and head back to Muroran. Maureen was teaching some local elementary school students one of the dances from "Guys and Dolls", so we had about half an hour to wait. I climbed up to the top of the seats and had a ten-minute power nap. The minute that practice ended, Judy, Scott, Maureen, and I all headed out to my car and hit the road for home.
Instead of heading back into Obihiro and driving over the pass from there, we took the main highway through Shihoro that also connects up to the pass. Nice scenic drive, I figured.
Yeah. Real scenic. Being stuck behind a row of Ground Self Defense Force trucks makes for a great view. (Did spot an ostrich and emu farm along the way, though.) The funny part of it was, I started to pass the trucks when I had a chance, and then finally they followed the road one way, and we followed the highway. YES! Free of being stuck behind slow-moving GSDF trucks at last!
Until about ten minutes later when I came up on a stop light that was just turning red. No prob, just wait until the light changes...might as well look at the cars going past...hey...that's odd...there's another one of those GSDF trucks...huh, they're out in force today...and there's anothe...wait a second! IT'S THE SAME CONVOY! Ohhhh yeah, and you could see the drivers laughing as they passed us waiting there. I saw more than a few "Hey, White Boy, weren't you in a big hurry or something?" looks. After a few moments of intermittently swearing and laughing, the light changed, and I pulled back in behind the line of trucks. Well played, SDF, well played.
Fortunately, they turned off into a base, and we continued down the road for a while, until we came over the top of a hill, and saw this.
The Hidaka Mountains off in the distance, the Tokachi plain stretching out in front of us, a dazzling sun shining down on it all...we all gasped and three voices came up begging me to stop. Hey, I was way ahead of them.
And then we got back on the road, headed back over Nissho Pass, cruised down from Hidaka to Monbetsu, over to Tomakomai for dinner and a failed attempt to get me a raspberry mocha (which left me in a bad mood and the car in silence for about twenty minutes) before hitting the road again for home. We were back in Muroran before ten.
Thus ended my first really big road trip in my new car. Exhausting and long, but one heck of an adventure.
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A short epilogue to this story: Today (April 20th) was the last day of operation on the Chihoku line. They had some features about it on the various news channels. Politicians making speeches, people singing songs, children waving flags, train freaks of all makes and models out taking pictures...the works. Some of the news really gave me pause and made me think. High school students talking about how they enjoyed the train ride to school every day. A town mayor talking about how the elderly townspeople in his area used that train to go to the hospital. A reporter talking about how this line was the only real public transportation system connecting the various towns along the line. A man who fought for years to convince politicians and businessmen to support the line and keep it running talking about what he will do now that the line is closing. This train line was really a lifeline for a lot of people. Even though buses will replace the trains, a part of what defined these towns died off today.
Sure, I enjoyed riding the rails that Saturday, but it was just an event for me. It was interesting and educational, and I got to see a lot of country I wouldn't have been able to see otherwise, but it didn't really hold much more than a superficial interest for me.
I'm reminded of an elderly woman who couldn't get on the train at Yutari Station because it was so crowded with people wanting to ride the train once before it shut down. To her, the Hokkaido Chihoku Highlands Line was a necessity, a way of getting from place to place. For the majority of us on the train that day, it was a fun way to spend a weekend. And I don't know how I feel about that...
Somewhere there's a high school student who now has to take a bus to go to school.
Somewhere there's a town mayor trying to preserve a stretch of track as a park and run a train along it.
Somewhere there's an elderly person who has to take a bus to the hospital now.
Somewhere there's a man who fought to keep the train line alive sitting down and arranging all of his files in order to preserve the Chihoku Kogen Line for future generations.
Somewhere there's a construction crew at work dismantling railroad crossing guard systems. (They were scheduled for dismantling as soon as the last train on the line pulled into its final station - apparently some of the line is already pulled up as well...what's the rush?)
Somewhere there's a stationmaster who worked on this line for forty years trying to figure out what he will do now.
Ahhh, yes. The Play. The Nightmare. The Thing That Has Haunted My Waking Hours And Sleepless Nights For Eight Freaking Months.
Where to begin? I suppose the beginning would be a good idea.
I started at Starfish High in August of 2005. I was pretty clueless about the job, and life in general, for quite a while. Even so, Jack (my partner in English slinging) passed me a script for a play that the first-year students were going to perform and said, "Can you translate this?" I did, although it took me about a week to get it all done.
I asked, Why a play? Because the guy that was here last year did one, and it was a condition of our employment that we do one this year. News to me, but whatever. With my acting prowess (as evidenced by my roles as "Shecky", "Harry McAfee", "scary cult leader", and "invisible boy" in various PHS plays), I knew I could help coach on the acting side. As far as actually putting on a play was concerned, neither Jack nor I had any clue. I still curse He Who Shall Not Be Named. The apartment, the play...grrrrrrrrrrr
As the year progressed, we arranged schedules, rehearsed, had students build props, and somehow performed one scene of the play at the Christmas Assembly in December. Once Winter Quarter rolled around, various school events shot our practice schedule straight to Hades, and by the time March rolled around, some of us were starting to panic.
So the student directors made an executive decision to have practice every weekday of Spring Break. The turnout? Lukewarm at best.
We couldn't get decent rehearsals in because only half the necessary people would show up. Props designers would come in one day, do a little work, and then not bother to show up for the rest of the week. Students were still reading from their scripts five days before the performance. Never mind that we'd already told them fifty thousand times over to memorize their freaking lines.
The week of the performance? I was a wreck. I would dream about the freaking play every night. My eyes would close, but my brain was running on all cylinders. Students were worried that I was developing a neurosis. They probably weren't far off in their analysis. Paperwork kept popping up. I almost went nuclear on a teacher for misfiling some paperwork, but it all turned out to be a mistake on the part of the office.
I know I bitch in here at times about Hiroshi (No. 1), but he really does look out for me and I am so thankful that he talked me down from that insanity that I had reached. Thanks, bud.
But either way, I was still a mess. We were given three full days to get the second-year students ready for their performance. We were also scheduled to have other classes at the same time.
Yep. Otherwise known as double-booking. What a nightmare.
And yet, come Friday the 14th, the students had it together. The play looked like a play. Props were completed. The stage design was great. A lot of students really stepped up and put their all into the performance. Awesome, awesome stuff to see. And it made it all worth it.
Well, almost, anyway. But I could see what the school was trying to do with having the entire grade of students work together on a single project. They really came together at the end and made it their play.
Another fun bit (for me) was that I had a small part in the play as a bartender. People told me that it was the perfect role for me; I was "a natural". Hmmm, not sure what to think of that...
The response from students, teachers, and parents alike was overall quite good. People enjoyed the play. Some of the new first years have already expressed interest in doing a play this year.
Please, God, please, let me go a couple of weeks without having to discuss the freaking play.
"Dustin, this is XXXX from Kumamoto. I found your e-mail on the Internet and decided to e-mail you. How are you? I'm sorry if I surprised you."Wow. Now there's someone I never expected to hear from again. I was completely floored by the fact that she would even think of e-mailing me. We didn't break up under the best of circumstances, and there was a lot of stuff that was going on behind my back that I only found out about later.